The Baroque era (c. 1600–1750) was a time of immense growth for instrumental music, and no form became more popular or influential than the concerto.

Welcome to a fascinating area of music history that will help you understand the foundational principles of harmony, specifically how the fauxbourdon tradition, an ancient technique, paved the way for two fundamental concepts in classical music theory: Figured Bass and The Rule of the Octave.

For modern listeners, music is a journey through many different feelings. A single song might start mournful, become hopeful, and end in passionate joy. However, for composers in the Baroque era music was treated differently. The goal was to focus on, perfect, and maintain one single emotion per movement. This powerful idea was known as the Doctrine of the Affections.

The Basso Continuo (Italian for "continuous bass") is arguably the single most important and defining feature of the Baroque era (roughly 1600–1750) in Western music. It's a method of musical accompaniment where a small group of instruments provides the harmonic foundation for almost all musical pieces written during this period.

The Baroque era, spanning from approximately 1600 to 1750, marks a period of profound change and dramatic flair in Western music. The era is characterised by its ornate, highly decorated, and often complex textures, Baroque music is a rich tapestry woven with expressive melodies and rigorous structures. This period is pivotal in music history, solidifying many forms and practices that would influence music for centuries to come.

Fanny Mendelssohn Hensel (1805–1847) was one of the most gifted composers and pianists of the Romantic period. Though often overshadowed by her younger brother, Felix Mendelssohn, Fanny possessed a formidable musical talent and produced over 450 compositions.

Felix Mendelssohn Bartholdy (1809–1847) stands as one of the 19th century’s most gifted and enigmatic composers. Possessed of preternatural talent, rivaled only by Mozart, Mendelssohn's relatively short life was marked by incredible artistic production and profound influence on the European musical landscape.

For the advanced piano student, Domenico Scarlatti isn't just a historical figure; he's a gateway to a world of unparalleled keyboard brilliance, technical demands, and surprisingly modern musical ideas. While often overshadowed by his contemporaries Bach and Handel, Scarlatti's over 550 keyboard sonatas (many discovered posthumously) offer a unique and rewarding challenge.

Public Domain image: Danish and German pianist and composer Ludvig Schytte (1848-1909) Source: https://commons.wikimedia.org/wiki/File:LudvigSchytte.jpg Ludvig Schytte (April 28, 1848 – November 10, 1909) is a name that deserves to be brought into the light of Danish music history. Although his name may not resonate as well as those of Gade or Carl Nielsen, Schytte was an exceptionally productive and influential composer, pianist, and educator whose works still hold great val

The Romantic Era, a period spanning roughly from the late 18th to the mid-19th century, was a profound artistic, literary, and intellectual movement that swept across Europe.

For any aspiring intermediate pianist, the journey through classical music can seem daunting. But fear not! There's a treasure trove of beautiful and instructive pieces waiting to be discovered, and at the heart of it all are the delightful Sonatinas. Specifically, the Six Sonatinas, Opus 36 by Muzio Clementi, are an absolute must-play for developing pianists.

In the dynamic world of music, harmony is the essential framework that supports both composition and performance. Among the various forms of harmony, 4 part harmony shines brightly, offering richness and depth.