This blog features the ten calls we incorporate into lessons for any instrument at Stalybridge Music Academy. These calls are perfect for understanding The Harmonic Series, Triads, Transposition, composition, and The Circle of Fifths.

Create your own unique bugle call with the Triquetrae Music Elementary Programme, featuring vibrant banners and golden bugles. Bugle calls are fascinating examples of musical communication. Their simplicity is a direct result of the bugle's limitations: a valveless bugle can only play the notes of a single musical triad. This guide will walk you through the steps to compose your own bugle call using the notes from a C Major Triads. Understanding the C Major Triad A triad is a

This is a great question! To answer it, we need to journey through the fascinating history of musical understanding, beginning with ancient discoveries and moving through the Renaissance to the Baroque era.

A key signature is the sharp signs next to the clef. In this case we have a B flat . If you need help here please see the key signatures blog. The tonic triad is the 1st , 3rd and 5th note of the scale. When there is no key signature this triad requires no additional accidental as there is no B.

A key signature is the sharp signs next to the clef. In this case we have F sharp, C sharp, G sharp, D sharp, A sharp, E sharp & B sharp (played as the note C) . If you need help here please see the key signatures blog. The tonic triad is the 1st , 3rd and 5th note of the scale. When there is no key signature this triad requires an sharp sign in front of the C, E and G to make an C sharp, E sharp and a G sharp.

A key signature is the sharp signs next to the clef. In this case we have F sharp, C sharp, G sharp, D sharp, A sharp and E sharp. If you need help here please see the key signatures blog. The tonic triad is the 1st , 3rd and 5th note of the scale. When there is no key signature this triad requires an sharp sign in front of the F, A and C to make an F sharp, A sharp and a C sharp. This is the first triad with all the notes raised a semitone.

A key signature is the sharp signs next to the clef. In this case we have F sharp, C sharp, G sharp, D sharp and A sharp. If you need help here please see the key signatures blog. The tonic triad is the 1st , 3rd and 5th note of the scale. When there is no key signature this triad requires an sharp sign in front of the F and D to make an F sharp and a D sharp. It does not need a C sharp, G sharp or a A sharp as there is no C, G or A in the triad to raise by a semit

A triad is constructed of the first, third and fifth notes of the major scale E major 1. Understand the Theory A key signature is the sharp signs next to the clef. In this case we have F sharp, C sharp, G sharp and D sharp. If you need help here please see the key signatures blog. The tonic triad is the 1st , 3rd and 5th note of the scale. When there is no key signature this triad requires an sharp sign in front of the G to make it a G sharp. It does not need a F sharp, C sh

A key signature is the sharp signs next to the clef. In this case we have F sharp, C sharp and G sharp. If you need help here please see the key signatures blog. The tonic triad is the 1st , 3rd and 5th note of the scale. When there is no key signature this triad requires an sharp sign in front of the C to make it a C sharp. It does not need a F sharp or a G sharp as there is no F or C in the triad to raise by a semitone.

A triad is constructed of the first, third and fifth notes of the major scale D major 1. Understand the Theory A key signature is the sharp signs next to the clef. In this case we have F sharp and C sharp. If you need help here please see the key signatures blog. The tonic triad is the 1st , 3rd and 5th note of the scale. When there is no key signature this triad requires an sharp sign in front of the F, but it does not need a C sharp as there is no C in the triad to raise b

A key signature is the sharp sign next to the clef. The tonic triad is the 1st , 3rd and 5th note of the scale. When there is no key signature this triad does not need an accidental as there is no F in the triad to raise by a semitone.