Welcome to a fascinating area of music history that will help you understand the foundational principles of harmony, specifically how the fauxbourdon tradition, an ancient technique, paved the way for two fundamental concepts in classical music theory: Figured Bass and The Rule of the Octave.

The Basso Continuo (Italian for "continuous bass") is arguably the single most important and defining feature of the Baroque era (roughly 1600–1750) in Western music. It's a method of musical accompaniment where a small group of instruments provides the harmonic foundation for almost all musical pieces written during this period.

The Baroque era, spanning from approximately 1600 to 1750, marks a period of profound change and dramatic flair in Western music. The era is characterised by its ornate, highly decorated, and often complex textures, Baroque music is a rich tapestry woven with expressive melodies and rigorous structures. This period is pivotal in music history, solidifying many forms and practices that would influence music for centuries to come.

Felix Mendelssohn Bartholdy (1809–1847) stands as one of the 19th century’s most gifted and enigmatic composers. Possessed of preternatural talent, rivaled only by Mozart, Mendelssohn's relatively short life was marked by incredible artistic production and profound influence on the European musical landscape.

The word "Nocturne" (pronounced Noc-turn) simply means something relating to the night. In music, a Nocturne is a specific type of composition that evokes the mood and atmosphere of the night. Think of it as a musical painting of a peaceful, often melancholic, evening scene.

For any aspiring intermediate pianist, the journey through classical music can seem daunting. But fear not! There's a treasure trove of beautiful and instructive pieces waiting to be discovered, and at the heart of it all are the delightful Sonatinas. Specifically, the Six Sonatinas, Opus 36 by Muzio Clementi, are an absolute must-play for developing pianists.

One of the most enchanting pieces from Camille Saint-Saëns' suite, Carnival of the Animals, is undoubtedly "The Swan." Composed in 1886, this movement beautifully captures the elegance and serenity of a swan gliding across a tranquil lake.