The Baroque era (c. 1600–1750) was a time of immense growth for instrumental music, and no form became more popular or influential than the concerto.

Welcome to a fascinating area of music history that will help you understand the foundational principles of harmony, specifically how the fauxbourdon tradition, an ancient technique, paved the way for two fundamental concepts in classical music theory: Figured Bass and The Rule of the Octave.

For modern listeners, music is a journey through many different feelings. A single song might start mournful, become hopeful, and end in passionate joy. However, for composers in the Baroque era music was treated differently. The goal was to focus on, perfect, and maintain one single emotion per movement. This powerful idea was known as the Doctrine of the Affections.

The Basso Continuo (Italian for "continuous bass") is arguably the single most important and defining feature of the Baroque era (roughly 1600–1750) in Western music. It's a method of musical accompaniment where a small group of instruments provides the harmonic foundation for almost all musical pieces written during this period.

The Baroque era, spanning from approximately 1600 to 1750, marks a period of profound change and dramatic flair in Western music. The era is characterised by its ornate, highly decorated, and often complex textures, Baroque music is a rich tapestry woven with expressive melodies and rigorous structures. This period is pivotal in music history, solidifying many forms and practices that would influence music for centuries to come.

Fanny Mendelssohn Hensel (1805–1847) was one of the most gifted composers and pianists of the Romantic period. Though often overshadowed by her younger brother, Felix Mendelssohn, Fanny possessed a formidable musical talent and produced over 450 compositions.

Felix Mendelssohn Bartholdy (1809–1847) stands as one of the 19th century’s most gifted and enigmatic composers. Possessed of preternatural talent, rivaled only by Mozart, Mendelssohn's relatively short life was marked by incredible artistic production and profound influence on the European musical landscape.

Felix Mendelssohn Bartholdy (1809–1847) is celebrated for his vibrant Italian Symphony, the soaring Violin Concerto in E minor, and his evocative overture to A Midsummer Night's Dream. Yet, tucked away in his catalogue are works of profound intimacy and charm—pieces that reveal the composer's gift for miniature, lyrical expression. Among these are the Six Children's Pieces, Op. 72, a set of piano works that are far more sophisticated than their unassuming title suggests.

For the advanced piano student, Domenico Scarlatti isn't just a historical figure; he's a gateway to a world of unparalleled keyboard brilliance, technical demands, and surprisingly modern musical ideas. While often overshadowed by his contemporaries Bach and Handel, Scarlatti's over 550 keyboard sonatas (many discovered posthumously) offer a unique and rewarding challenge.