Performance Practice & Stylistic Interpretation Worksheet: Romanesca by R. Leoncavallo
- 2 days ago
- 1 min read
This worksheet is part of the Level 8 Triquetrae Intermediate Piano Programme.

Please complete the answers in your Music Zibaldone or Music Journal for your next lesson.
The Listening Sources
Composer’s Interpretation (1905)
Orchestral Interpretation: Orquesta de Cámara de Zapopan - Romanesca
Modern Piano Interpretation 1
Modern Piano Interpretation 2
Part 1: Skill Identification (The "How")
Analyse how each performer handles the following Romantic expressive devices.
Copy the chart into your book or print this page.
Skill / Device | Version 1: Composer (Piano) | Version 2: Orchestral | Version 3: Piano | Version 4: Piano |
Agogic Accents (Are the notes leant into?) | ||||
Tempo Rubato (Is it 'compensatory' or free?) | ||||
Articulation (Legato/Staccato/Tenuto) | ||||
Dynamic Shaping |
Part 2: Reflective Analysis (The "Why")
What I liked
Which version felt most "authentic" to the stile antico?
Which felt most "Romantic"?
What I didn't like
Was there a moment where the rubato felt too disruptive or the agogic accent too heavy?
Historical Connection:
How does Leoncavallo’s own playing (1905) differ from a modern recording?
Does he take more or less rhythmic liberty than you expected?
Part 3: Performance Application (The "Action")
Imagine you are preparing this piece for a recital.
Based on your listening:
Identify one specific bar where you will apply an agogic accent.
Describe the 'breath': How will you use a ritardando (R) or accelerando (A) to define the phrase?
Synthesis: How will you balance the "Ancient" structure with the "Romantic" emotion?


