Maria Szymanowski and Mazurka in C major
- 2 days ago
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Updated: 2 days ago
Composer Focus: Maria Szymanowska (1789-1831)

Maria Szymanowska (1789-1831) was a celebrated Polish composer and one of the first professional virtuoso pianists of the Romantic era. A contemporary and friend of figures like Frédéric Chopin and Johann Wolfgang von Goethe, Szymanowska's compositions, though less widely known today, significantly contributed to the development of Polish piano music. Her "Mazurka in C Major" exemplifies her charming and accessible style, offering a glimpse into the salon music of her time while also providing valuable pedagogical material for aspiring pianists.
As a female composer navigating the transitional period between the Classical and Romantic eras, Maria Szymanowska faced unique challenges and opportunities. While the salon culture of the time offered avenues for performance and patronage, women composers often struggled for recognition beyond the domestic sphere and encountered biases in the male-dominated professional music world. Despite these hurdles, Szymanowska, like a few other notable female musicians of her time, carved out a successful career, touring extensively and publishing her works, thereby contributing significantly to the burgeoning Romantic style and paving the way for future generations of women in music.
Mazurka in C major
Grade 2 Piano Technique References:
When learning Mazurka in C major a Level 5 (Grade 2) piano student can focus on developing the following technical skills:
Legato Playing: The melody in this piece requires smooth, connected playing. Practice keeping your fingers curved and transferring the weight from one finger to the next to achieve a beautiful legato sound.
Detached Touch: There are left hand sections that require a lighter, detached touch. Practice a "bouncing" action from the wrist to achieve clear detached notes.
Dynamic Control: Explore playing both softly (piano) and a little louder (mezzo forte) to bring out the different moods of the piece. Include the gradient dynamics for extra skills. Listen carefully to how your touch affects the volume.
Rhythmic Accuracy: The even quaver rhythm can be a bit tricky at first. Practice counting carefully in 3/4 time and paying attention to the evenness of the quavers. Use a metronome to help keep a steady pulse.
Finger Independence: As you play the melody and accompanying chords, you'll need to develop good finger independence. Practice scales and five-finger exercises to strengthen individual fingers.
Hand Position: Maintain a relaxed and natural hand position, with curved fingers and a flexible wrist, to avoid tension while playing.
Listen to different versions of the Mazurka and answer these questions on the performances.
What elements did you appreciate in each of the three performances?
Were there any interpretive choices in the performances that you did not agree with, and if so, why?
Considering these performances, what specific aspects would you like to incorporate into your own portfolio presentation video of this piece?
Questions for Reflection
What country was Maria Szymanowski from?
What is a mazurka?
Describe two different types of touch you might use to play Mazurka in C major?
Why is rhythmic accuracy important when playing a mazurka?
What is one piano technique you can practice to help you play this piece better?
Thank you for reading this article. Worksheets are available for download below to help you learn and enjoy the piece. Happy Practicing!
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